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hadn't heard a voice like that - so powerful, 'gospelly,' soulful, even a little jazzy. still remember that album's cover, white background and she had her hair short, wearing a sequined white dress. I asked my father if he would get me the album and he got it for me. "I grew up in Flint, Mich., heard this on the radio. It's those and other colorful memories that come to the fore when she looks through the GRAMMY Hall Of Fame roster, and is asked to select five recordings that would fully demonstrate the foundations and evolution of her musical personality. Hence the polka presence in her life, and also an openness to other genres and styles of music. But Bridgewater notes that it was in her childhood a vastly rich area, with a variety of strong communities interacting, including a large Polish population - her family regularly went to local Polish restaurants. "I love polka music!"īridgewater's affinity for the genre is something she traces to her childhood in Flint, Mich., a town near Detroit perhaps more associated with the gritty soul and bouncing pop for which the region is world famous. "I love Lawrence Welk!" she says, scrolling through her mental file cabinets, examining the music that shaped her, the music that made her her.
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And in 2012, Bridgewater joined Al Jarreau and Hubert Laws to anchor the current 55th GRAMMY-nominated album companion to the recent children's book, JumpinJazz Kids - A Swinging Jungle Tale.ĭespite her diversified résumé, you'd probably never expect to hear her speak these words.
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She's long embraced a wide range of music throughout her career, evidenced by various mixes of jazz - her album Eleanora Fagan (1915–1959): To Billie With Love From Dee Dee Bridgewater (a Best Jazz Vocal Album winner in 2010) honored the spirit of Billie Holiday with great creativity and imagination R&B theater - she's starred in key productions of "The Wiz" and "Sophisticated Ladies" and, with her stunning GRAMMY-nominated album Red Earth - A Malian Journey, African roots.
#Future the wizrd nippy share series
The ongoing series will feature conversations with various GRAMMY winners who will identify GRAMMY Hall Of Fame recordings that have influenced them and helped shape their careers.)ĭee Dee Bridgewater's two GRAMMY Awards for Best Jazz Vocal Performance and Best Jazz Vocal Album only tell part of her musical story. Brennan throws on the gel and works out an 11 minute saga, taking those killer leads from the original and crafting a chugging drum beat with an out of nowhere change up thrown in for good measure.(To commemorate the GRAMMY Hall Of Fame's 40th Anniversary in 2013, has launched GRAMMY Hall Of Fame Inspirations.
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The perfect tunes for catching up with Rick Deckard and hunting replicants to.īringing the journey to an end we have a vinyl only treat from New York miscreant Brennan Green. The Spiral mix is all atmosphere while the Oxygene mix channels everything we love about Italo disco and outer space. Octobussy is Million’s nod to French composer / producer Jean Michel Jarre, handsome vintage sounds of space and the future.
#Future the wizrd nippy share drivers
The UK duo Mighty Mouse yank you from the drivers seat and plants you on the floor at the discoteque, beefing up the drama, working their piano rolls and busting out a synth solo sure to make you undo that last button on your Italian silk shirt. Part II of the journey sticks you in your Ferrari, just living life at 120 BPM on nothing but chunky slap bass and arpegiated keys. Part I of your journey starts with stomping kicks, spaced out toms and cosmic stabs of Italo passion. He often starts his morning by bench pressing his Yamaha CP-70 and drinking 3 or 4 shakes of reel to reel tape. Luke Million is a fellow out of Adelaide, Australia and is the hectic keys player and synth wizard in The Swiss.